Journal of Film & Video
DETAILS
About
Official Journal of the University Film & Video Association
Announcement: The UFVA has opened a home office. Members seeking information about accessing the UFVA web site and job postings may contact the home office by email at home@ufva.org.
The Journal of Film and Video is a double-blind, peer-reviewed journal published four times a year. It features scholarship on film, video, and media production, history, and aesthetics as well as research on education in these fields and the role of fiction and documentary work in society.
The journal is grounded in humanities research traditions that examine cultural, historical, material, and aesthetic dimensions in ways that differ from many journals in communication studies or specialty journals, such as those in cognitive studies. Yet it accepts articles that use a range of critical methods if they shed light on the production and study of film, video, and media.
The journal publishes research articles (25 to 30 pages) in history, theory, and criticism that contextualize individual productions and the work of creative laborers. It is committed to intersectional cultural studies and ideological analyses that examine representational politics, developments in taste formation, audience engagement, and so on. It values interdisciplinary industry studies and research that illuminates the conception, production, distribution, exhibition, and reception of film, video, and media. The journal also publishes (5 page) book reviews.
Note: Work accepted for publication uses culturally sensitive language. The journal reserves the right to alter phrasing and reject submissions that do not follow the manuscript submission guidelines (see Submissions).
The Journal of Film and Video is the official publication of the University Film & Video Association.
Indexes
Advanced Placement Fine Arts and Music, Abstracts of Popular Culture, Academic Search Alumni Edition, Academic Search Complete, Academic Search Elite, Academic Search Premier, Academic Search Ultimate, Art & Architecture Complete, Art & Architecture Index, Art & Architecture Source, Art Abstracts (H.W. Wilson), Art Index (H.W. Wilson), Arts & Humanities Citation Index, Arts Premium Collection, Associates Program Source Plus, Associates Programs Source, Book Review Index, Brepols, Career & Technical Education Database, Communication & Mass Media Complete, Communication Abstracts, Communication Source, Current Abstracts, Current Contents, Current Contents: Art and Humanities, Dietrich's Index Philosophicus, Education Research Complete, Education Research Index, Education Source, ERIC, Expanded Academic ASAP, FIAF International Film Archive Database, Film & Television Literature Index, Film & Television Literature Index with Full Text, Film Literature Index, Gale Academic OneFile, Gale Academic OneFile Select, Gale General OneFile, Gale Literature: Book Review Index, Gale OneFile: Communications and Mass Media, Gale OneFile: Educator's Reference Complete, Gale OneFile: Fine Arts, Gale World Scholar: Latin America and the Caribbean, IBZ - Internationale Bibliographie der Geistes- und Sozialwissenschaftlichen Zeitschriftenliteratur, InfoTrac Custom, International Bibliography of Periodical Literature in All Fields of Knowledge, International Bibliography of Theatre & Dance with Full Text, International Index to Film Periodicals, International Index to the Performing Arts (IIPA), Internationale Bibliographie der Rezensionen Geistes - und Sozialwissenschaftlicher Literatur, Military Transition Support Center, MLA International Bibliography, Music & Performing Arts Collection, OCLC ArticleFirst, OmniFile Full Text Mega (H.W. Wilson), OmniFile Full Text Select (H.W. Wilson), Performing Arts Periodicals Database, Poetry & Short Story Reference Center, Professional ProQuest Central, ProQuest 5000, ProQuest 5000 International, ProQuest Career and Technical Education, ProQuest Central, Proquest Research Library, Research Library, Russian Academy of Sciences Bibliographies, Scopus, Screen Studies Collection, TOC Premier, Vocational & Career Collection, Vocational Studies Complete, Web of Science, Wilson Art Full Text, Wilson OmniFile Full Text
SUBSCRIPTION RATES
Contact the University Film & Video Association for student and sustaining pricing.
Click here to subscribe.
| Individuals: | 1 Year |
| Print Only | $75 |
| Online Only | $75 |
| Print + Online | $95 |
| Institutions: | 1 Year |
| Print Only | $75 |
| Online Only | $75* |
| Print + Online | $95* |
| *Institutional 'Online Only' and 'Print + Online' subscriptions must be purchased through the Scholarly Publishing Collective. | |
Non-U.S. Postage: $10 Canada/Mexico, $35 Other Non-U.S. Locations
Single Issues: $20
ONLINE + PRINT ADVERTISING

The print ad rates for all our titles can be found in the 2026 journals catalog/rate card.
Editors
Editor
Cynthia Baron
Bowling Green State University
Department of Theatre and Film
222 Wolfe Center
Bowling Green, OH 43403
cbaron@bgsu.edu
Book Review Editor
Shane H. Weathers
Bowling Green State University
shaneth@bgsu.edu
Pamela Ueno
UFVA Home Office Manager
Ph: 866-647-8382
home@ufva.org
ADVISORY BOARD
- Ren Baron, Toronto Copy Editing
- Thomas Brecheisen, Texas Tech University
- Diane Carson, St. Louis Community College
- Michael Clarke, California State University, Los Angeles
- Michelle Glaros, Centenary College of Louisiana
- Suzanne Regan, California State University, Los Angeles
- Frank P. Tomasulo, Independent Scholar
- Stephen Tropiano, Ithaca College, Los Angeles
Editorial Board
- Jonathan Cavallero, Bates College
- CatyBorum Chattoo, American University
- Anne T. Ciecko, University of Massachusetts, Amherst
- Cynthia Felando, University of California, Santa Barbara
- Karla Fuller, Columbia College Chicago
- Mikal Gaines, Massachusetts College of Pharmacy and Health Sciences
- Arundhati Ghosh, Independent Scholar
- Thomas Grochowski, St. Joseph’s College, New York
- Rodney Hill, Hofstra University
- Dale Hudson, New York University, Abu Dhabi
- Victoria Johnson, University of California, Irvine
- Yulia Gilich, University of California, Santa Cruz
- Robert Gordon Joseph, University of Dayton
- Amanda Konkle, Georgia Southern University
- Kurt Lancaster, Northern Arizona University
- Christina Lane, University of Miami
- George S. Larke-Walsh, University of Sunderland
- Melinda Levin, University of North Texas
- Stefania Marghitu, University of Alabama
- Nina K. Martin, Connecticut College
- Heather McIntosh, Minnesota State University, Mankato
- Darshana Sreedhar Mini, University of Wisconsin, Madison
- Michael Ogden, Zayed University, Dubai
- Claudia Pederson, Wichita State University
- Christina Petersen, Eckerd College
- Cortland Rankin, Bowling Green State University
- Charlene Regester, University of North Carolina, Chappell Hill
- Jamie Ann Rogers, Western Washington University
- Elaine Roth, Indiana University
- Jeevani Sammeta, Bowling Green State University
- Sudipto Sanyal, Independent Scholar
- Mary C. Schmitt, Quinnipiac University
- Samantha N. Sheppard, Cornell University
- Sarah E. S. Sinwell, University of Utah
- Nick Smith, SUNY Fredonia
- Ingrid Stobbe, Lesley University
- Andrew Utterson, Ithaca College
- Lorene Wales, Liberty University
- Rulon Wood, Boise State University
- Rick Worland, Southern Methodist University
PDF Policy
Upon publication, authors will receive a link to access their article free for three months. They are permitted to share the link (not the PDF) with friends, colleagues, and on social media.
PDFs are permitted and issued for the following:
- Tenure dossier.
- Special workshops the author is moderating.
- Other requests to be evaluated on a case-by-case basis.
- All PDFs will include a statement of copyright and a provision that the articles will not be photocopied, distributed, or used for purposes other than the terms agreed to by UIP.
Preprints are permitted for:
- University repositories; UIP requires a publication statement to be posted along with the preprint.
Postprints are permitted for:
- Non-profit archives and repositories; Articles must be at least one year old. UIP requires a publication statement to be posted along with the postprint and a link back to the UIP Journal of Film and Video page.
- Personal and commercial Web sites; Articles must be at least three years old. UIP requires a publication statement to be posted along with the postprint and a link back to the UIP Journal of Film and Video page.
Please contact the Intellectual Property Manager for more information.
Please send all requests to:
Angela Burton
Intellectual Property Manager
UIP-RIGHTS@uillinois.edu
Submissions
Please verify that all communications come from the editor directly (see “Editors” for contact information) or from Scholastica, our submission system. There is no cost to submit or publish in the journal unless you have requested open access for your accepted article.
The Journal of Film and Video is a double-blind, peer-reviewed journal published four times a year. It features scholarship on film, video, and media production, history, and aesthetics as well as research on education in these fields and the role of fiction and documentary work in society.
The journal is grounded in humanities research traditions that examine cultural, historical, material, and aesthetic dimensions in ways that differ from many journals in communication studies or specialty journals, such as those in cognitive studies. Yet it accepts articles that use a range of critical methods if they shed light on the production and study of film, video, and media.
The journal publishes research articles (25 to 30 pages) in history, theory, and criticism that contextualize individual productions and the work of creative laborers. It is committed to intersectional cultural studies and ideological analyses that examine representational politics, developments in taste formation, audience engagement, and so on. It values interdisciplinary industry studies and research that illuminates the conception, production, distribution, exhibition, and reception of film, video, and media. The journal also publishes (5 page) book reviews.
How to Submit
Manuscripts intended for publication, including reviews, should be submitted electronically through the Journal of Film and Video online manuscript submission system.
Submit clean Microsoft Word documents (no PDFs, Google docs, or track-change Word files). Remove author name(s) from the article, including running heads, notes, and works cited. Follow MLA Handbook (9th Edition, 2021) style and citation conventions, unless superseded by the Style Guide below. For more information on MLA, consult the Purdue Online Writing Lab (OWL) MLA guides.
Peer Review Policy: After initial editorial review, submissions are sent to external reviewers, independent of the journal and publisher for double-blind review.
Featured Articles
Allusion, Intertext, and Ethnic Flattening in Groucho Marx and Carmen Miranda's Copacabana
Peter A. Yacavone
https://scholarlypublishingcollective.org/uip/jfv/article/77/3/5/401586/Allusion-Intertext-and-Ethnic-Flattening-in
The Magnificent Fragility of the Empire in Karel Zeman's Invention for Destruction (1958)
Felipe González-Silva
https://scholarlypublishingcollective.org/uip/jfv/article/77/3/20/401587/The-Magnificent-Fragility-of-the-Empire-in-Karel
Black Panther, The Wretched of the Earth, The Spook Who Sat by the Door, and the Endurance of Black Radical Politics
Mary C. Schmitt
https://scholarlypublishingcollective.org/uip/jfv/article/77/3/34/401585/Black-Panther-The-Wretched-of-the-Earth-The-Spook
Rewound Repression, Freaky Metamorphoses, Final Girls, and Downward Spirals: On the Rise of the Science Fiction Slasher
Michael Burke
https://scholarlypublishingcollective.org/uip/jfv/article/77/4/5/405043/Rewound-Repression-Freaky-Metamorphoses-Final
Forum of Essays on Buster Keaton
Diane Carson; William O. Huie Jr.; Frank P. Tomasulo
https://scholarlypublishingcollective.org/uip/jfv/article/77/4/21/405049/Forum-of-Essays-on-Buster-Keaton
Forum of Award-Winning Films
Michelle Glaros; Rana Kazkaz; Jessica McGaugh; Kate Balsley; Denise Iris; Vanessa Sweet; Broderick Fox; Marci Mazzarotto
https://scholarlypublishingcollective.org/uip/jfv/article/77/4/36/405050/Forum-of-Award-Winning-Films
Forum on Non-Professional Actors in Independent Cinema
Catherine Russell; Catherine O'Rawe; Miguel Gaggiotti; Ivone Margulies
https://scholarlypublishingcollective.org/uip/jfv/article/78/1/5/405645/Forum-on-Non-Professional-Actors-in-Independent
Orientalized Imagery in Posthuman Science-Fiction Cities: From the Explosive Chinatown to the Generic Metropolis
Wei Lin; Jinmei Fan
https://scholarlypublishingcollective.org/uip/jfv/article/78/1/23/405647/Orientalized-Imagery-in-Posthuman-Science-Fiction
Order versus Chaos in Stanley Kubrick's Spartacus (1960)
Martin Holtz
https://scholarlypublishingcollective.org/uip/jfv/article/78/1/36/405646/Order-versus-Chaos-in-Stanley-Kubrick-s-Spartacus
Sharing Stories: Melinda Levin Receives UFVA Life Member Award
Nick Smith
https://muse.jhu.edu/pub/34/article/982984
A Selection from Award-Winning UFVA Films (2022–2023)
Nick Smith
https://muse.jhu.edu/pub/34/article/982985
Asanghadithar: Spotlighting Women's Community and Labor Rights Protest in Malayalam Cinema
Malavika Ajikumar, Ajanta Sircar
https://muse.jhu.edu/pub/34/article/982986
The Relevance of the FCC in Contemporary Media Culture
Judith Clemens-Smucker, Christopher M. Toula
https://muse.jhu.edu/pub/34/article/982987
